By Marina Berzins McCoy
A PDF model of this e-book is accessible at no cost in open entry through www.oup.com/uk in addition to the OAPEN Library platform, www.oapen.org. it's been made on hand lower than an inventive Commons Attribution-Non Commercial-No Derivatives 3.0 license and is a part of the OAPEN-UK study undertaking. during this e-book, McCoy examines how Greek epic, tragedy, and philosophy have vital insights to supply in regards to the nature of human vulnerability, that's primary to the human adventure. whereas reports of Greek heroism and advantage frequently specialise in power of personality, prowess in warfare, or the success of honour, McCoy examines one other part to Greek concept that extols the popularity and correct popularity of vulnerability, or the means to be wounded. starting with the literary works of Homer's Iliad, Sophocles' Oedipus Rex, Oedipus at Colonus, and Philoctetes, she expands her research to philosophical works the place she analyses imagery of injuring in Plato's Gorgias and Symposium, in addition to Aristotle's paintings at the vulnerability inherent in friendship. McCoy goals at deepening our figuring out of the virtues of vulnerability for people and societies alike, and gives an cutting edge interpretation of tragic catharsis as a way for society to extend on its imaginative and prescient of itself and the weak inside of in the neighborhood. [C:\Users\Microsoft\Documents\Calibre Library]
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Extra resources for Wounded Heroes: Vulnerability as a Virtue in Ancient Greek Literature and Philosophy
Sample text
Odysseus kindly reminds him that men cannot fight ably when hungry: no matter how ready their hearts may be for battle, their limbs will grow weary if not well fed. But he also adds, somewhat more starkly, ‘we must harden our hearts and bury the man who dies, when we have wept over him on the day, and all those who are left about from the hateful work of war must remember food and drink’ (XIX. 228–31). In other words, acceptance of a fallen friend’s death is necessary for continuing on in life. The dead body before the completion of a funeral is in a liminal condition, between life and the finality of death, from the point of view of the mourners.
483–7) 12 Hammer, Iliad as Politics, 111–12. Seth Schein, The Mortal Hero: An Introduction to Homer’s Iliad (Berkeley and Los Angeles: University of California Press, 1984), 142. 0/), which permits non-commercial reproduction and distribution of the work, in any medium, provided the original work is not altered or transformed in any way, and that the work is properly cited. com 14 Woundedness, Narrative, and Community Similar passages occur with relative frequency in the Iliad, for example, when Alkathoos is introduced as beloved by the most beautiful and gifted wife at home, just before he is struck down and killed by a spear that penetrates the middle of his chest (XIII.
The end of the story for each human being is essentially the same in that the narratives of our individual lives each come to an end. Endings are often abrupt and unexpected, and have profound consequences for families and communities. The temporal movement of life forward, to one’s own death and through experiences of others’ deaths, is unavoidable. On the other hand, Achilles’ fundamental decision is to make key choices that influence how his life’s story will be told. It is in the narrative meaning that is imposed on a life— especially, but not only, after the fact—that order and some degree of closure can come into being.