By Anthony Q. Artis

To a person who desires to make a document yet doesn’t have loads of time, funds, or adventure, Anthony Artis says: "It’s time to get down and dirty!"―a filmmaking mentality that teaches you the way to be inventive along with your assets and do extra with much less. Written via a guerrilla filmmaker for guerrilla filmmakers, this all new version of a bestselling vintage doesn’t simply let you know, it shows you the way to make your initiatives higher, quicker, and less expensive and has been up-to-date to include:

  • Fresh assurance of DSLR cameras, new lights apparatus, visible storytelling, postproduction suggestions, and distribution in an internet era.
  • 500+ complete colour representation, timesaving suggestions, and sensible enter from filmmakers for you to instantly follow on your personal projects
  • New sections on fundraising, determining lenses, capturing the world over, the 4K layout, taking pictures on iPhones, previsualization, instant microphones, dolly and slider photographs, staging distant interviews, transcripts, and extra
  • This bonus site (www.focalpress.com/cw/artis) positive aspects video and audio tutorials, storyboards, releases, gear courses, and checklists.

Hustle up a successful documentary workforce and select the precise gear for the activity. learn how to shoot extra polished, professional-looking photos and interviews on any finances, any digicam, any time. Plan via all of the hindrances, stay away from universal filmmaking pitfalls and tighten your lighting fixtures, audio, and visible storytelling abilities before you hit the streets. The hotly expected moment variation of The close Up and Shoot Documentary advisor will assist you do all this and extra!

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Extra resources for The Shut Up and Shoot Video Guide. A Down & Dirty DV Production

Example text

Reveal some new piece of visual info. Just like a good joke or anecdote, a good pull-out always has a good payoff. From: A bikini-clad sunbather rubbing on tanning lotion To: The sunbather is in the middle of a city tanning lotion roof on a snow-covered day From: A Native American on horseback riding over a ridge To see: The ridge overlooks an illegal dumping ground in the desert. From: A clown performing magic tricks for a child To see: The child is one of many young patients smiling in a cancer ward.

However, there is also an easier, cheaper, and faster way to dramatically alter the color and moods of any given scene that should be experimented with as well, especially when you are tight on time: manipulating white balance. By learning to effectively manipulate your camera’s white balance, you can achieve a variety of dramatically different feels for a scene with nothing more than the right color “white card” and the push of a button. Sickly Green Cool Blue Here, the scene was white balanced to the natural “daylight” (actually a 5600K HMI light) spilling onto the subject.

This button is usually near or under the camera lens. Use the zoom lever to move the zoom lens entirely by hand. Flick for a whip zoom. Flick this lever up or down to do a whip zoom, but not too hard. SHUTTER SPEED Shutter Speed 101 Shutter speed is one of those filmmaking concepts I heard a hundred times in film school, but honestly never knew what the hell they were talking about or how I should apply it to my shooting. … The primary purpose of manipulating your shutter speed is to control how motion is portrayed in a scene.

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