By Andrew B. Leiter
The illustration of Southerners on movie has been a subject of putting up with curiosity and debate between students of either movie and Southern stories. This choice of 15 essays examines the matter of Southern identification in movie because the civilrights period. clean insights are supplied on such widely used themes because the redneck snapshot, transitions to modernity and the superiority of the Southern gothic. different essays replicate the reinvigorated and increasing box of latest Southern stories and themes comprise the transnational South, the intersection of ethnicity and surroundings and the cultural value of Southern id outdoors the South.
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Additional resources for Southerners on Film: Essays on Hollywood Portrayals Since the 1970s
Example text
Conclusion The South of Norma Rae and Fried Green Tomatoes offers an imagined white, woman-centered landscape that feels more specific than the generalized white culture of America and recuperates the South through melodramatic narratives of victimization, updated for the post-sixties era through the politically-moderate discourse of white multiculturalism. Norma Rae stands as a transitional film at the end of the era of the comic male redneck anti-authority hero and moves cinematic imagery of the South towards the socially conscious and woman-centered.
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413-23. Mississippi Burning. Dir. Alan Parker. Perf. Gene Hackman, Willem Dafoe, and Frances McDormand. Orion Pictures, 1988. Film. Mitchell, Don. Cultural Geography. Oxford: Blackwell, 2000. Mitchell, W. J. T. ” Landscape and Power. Ed. W. J. T. Mitchell. Chicago: University of Chicago Press, 2002. 5-34. Nelson, George. Letter. ” New York Times 22 Jan. 1989: H3. Newfield, Christopher, and Avery F. Gordon. ” Mapping Multiculturalism. Ed. Avery F. Gordon and Christopher Newfield. Minneapolis: University of Minnesota Press, 1996.