By Stuart McWilliams
Anglo-Saxon literature and tradition, and their next appropriations, unite the essays accumulated right here. they give clean and interesting views on a number of matters, from gender to faith and the afterlives of previous English texts, from reconsiderations of overlooked works to reflections at the position of Anglo-Saxon within the lecture room. As is acceptable, they draw specifically on Hugh Magennis' personal pursuits in hagiography and problems with group and reception Taken jointly, they supply a "state of the self-discipline" account of the current, and destiny, of Anglo-Saxon experiences. the amount additionally contains contributions from the major Irish poets Ciaran Carson and Medbh McGuckian.
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Additional info for Saints and Scholars: New Perspectives on Anglo-Saxon Literature and Culture in Honour of Hugh Magennis
Sample text
Wéop’). The emotional charge here is complex. Joseph is perhaps happy to see his brothers but the reunion is bittersweet since they did try to kill him. His contradictory actions suggest a tension between the possibilities of vengeance, which is now in his power, and forgiveness. In such a context, the weeping suggests an overflow of intense emotion. Such an overflow is not something for the leader to reveal and hence he turns away as he weeps. iv, at fol. 61v (upper), where Joseph’s body is turned (albeit towards the brothers within this picture) and his weeping is again coded by a hand to the face.
Indd 29 02/04/2012 11:50:55 Saints and Scholars a balancing caution. The remainder of this essay considers what was portrayed as acceptable in the slightly less charged example of a powerful man weeping, while also looking at how the translator and illustrator could build on AngloSaxon expectations of feasting. Weeping and feasting in the Story of Joseph If the sexual activity of Old Testament characters poses in extreme form the question of how closely an Old English audience might be influenced by earlier models, the repertoire of gestures provides a more subtle version of the same question.
Indd 30 02/04/2012 11:50:56 Joseph in the Beer-Room Weeping also encodes an overflow of emotion more complex than simple grief. Later in the story, when Joseph, now powerful and in command of the food supply, is visited in Egypt by his unrecognising brothers, he plays with them by calling them spies (‘sceaweras’, Genesis 42: 9),25 imprisoning them for three days, and finally holding Simeon hostage until they return with their youngest brother, Benjamin, even as he provides them with wheat and returns their money.