By Charles Ramírez Berg
The bandido, the harlot, the male buffoon, the feminine clown, the Latin lover, and the darkish lady—these were the defining, and demeaning, photos of Latinos in U.S. cinema for greater than a century. during this publication, Charles Ramírez Berg develops an leading edge conception of stereotyping that debts for the endurance of such photographs in U.S. pop culture. He additionally explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping.
In the 1st a part of the e-book, Berg units forth his idea of stereotyping, defines the vintage stereotypes, and investigates how actors corresponding to Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. within the moment half, he analyzes Hollywood's portrayal of Latinos in 3 genres: social challenge motion pictures, John Ford westerns, and technological know-how fiction motion pictures. within the concluding part, Berg seems at Latino self-representation and anti-stereotyping in Mexican American border documentaries and within the function motion pictures of Robert Rodríguez. He additionally provides an unique interview within which Rodríguez talks approximately his whole profession, from Bedhead to Spy Kids, and reviews at the function of a Latino filmmaker in Hollywood and the way he attempts to subvert the system.
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Additional info for Latino Images in Film: Stereotypes, Subversion, and Resistance
Sample text
Since we are seldom given convincing reasons for why he acts as he does, we are left with two possible explanations about the moral makeup of a villain like el bandido: he is immoral (he knows the difference between right and wrong but chooses to ignore it) or amoral (for him there is no dividing line between right and wrong). Either one places him far outside mainstream morality. Ideological The organizing principle of el bandido as an ideological force is his fundamental antiestablishmentarianism.
Benign stereotypers override an initial, generalized perception of an Other with a more sophisticated one. As a result, benign stereotypers are able to distinguish a specific individual from the crude category into which he or she might be automatically placed. In contrast, the pathological stereotyper “does not develop this [corrective] ability and sees the entire world in terms of the rigid line of difference” between self and Other. The pathological stereotyper’s sense of selfintegration is threatened by the encounter with the Other, which triggers the adherence of the stereotypical category and the relegation of the Other to it.
Goldhagen uses the socialization model to explain how Germans learned to regard Jews as pariahs; indeed, he locates the root cause of the Holocaust in what he calls the people’s “cognitive models,” prevalent beliefs and values acquired via socialization, which were derivative of and borne by the societal conversation, linguistically and symbolically. When beliefs and images are uncontested or are even just dominant within a given society, individuals typically come to accept them as self-evident truths.