By Yau Shuk-ting Kinnia

How do East Asian cultural heritages match film? How are those legacies being revived, or perhaps re-created, via modern filmmakers? This assortment examines the dynamic interactions among East Asian tradition heritages and cinemas in mainland China, Hong Kong, Taiwan, Japan, and South Korea.

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2005. ” E-AsPac Accessed 16 September, 2010. php3. ” People’s Daily Online. Accessed 19 September, 2010. cn/90001/90782/6871144. html. Cremin, Stephen. 2010. ” Film Business Asia. Accessed 15 September, 2010. utm_source=fba&utm_ medium=email&utm_campaign=weekly. Desser, David. 2000. ” In The Cinema of Hong Kong: History, Arts, Identity, edited by Fu Poshek and David Desser, 19–43. New York: Cambridge University Press. Desser, David. 2005. ” In Chinese-Language Film: Historiography, Poetics, Politics, edited by Sheldon H.

Accessed 28 September, 2010. shtml. Qian, Kun. 2009. ” Asian Cinema 20 (2): 39–67. Stein, Ruthe. 2006. ” San Francisco Chronicle, Accessed 21 September, 2010. sfgate. DTL. Szeto, Kin-yan. Forthcoming. The Martial Arts Cinema of the Chinese Diaspora: Ang Lee, John Woo and Jackie Chan in Hollywood. : Southern Illinois University Press. Taylor, Charles. 2004. com. Accessed 24 September, 2010. CP=IMD&DN=110. Teo, Stephen. 1997. Hong Kong Cinema: The Extra Dimensions. London: British Film Institute.

O’Hehir, Andrew. 2009. ” Accessed 11 September, 2010. com. CP=IMD&DN=110. Pierce, Nev. 2004. ” BBC. Accessed 28 September, 2010. shtml. Qian, Kun. 2009. ” Asian Cinema 20 (2): 39–67. Stein, Ruthe. 2006. ” San Francisco Chronicle, Accessed 21 September, 2010. sfgate. DTL. Szeto, Kin-yan. Forthcoming. The Martial Arts Cinema of the Chinese Diaspora: Ang Lee, John Woo and Jackie Chan in Hollywood. : Southern Illinois University Press. Taylor, Charles. 2004. com. Accessed 24 September, 2010. CP=IMD&DN=110.

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