By Catherine Simpson, Renata Murawska, Anthony Lambert
This quantity is the 1st to concentration completely on diasporic filmmaking and the wealthy cultural range inside Australian cinema, and it includes formerly unpublished articles via a few of the most well known specialists on Australian cinema on the planet. members to Diasporas of Australian Cinema talk about a number of modern and old filmmaking, encompassing documentaries, positive aspects and brief movies. a few key function movies are mentioned together with 40 Thousand Horsemen, Silver urban, Wog Boy, Head On, Russian Doll, eastern tale, and fortunate Miles. Opening with a complete bankruptcy that introduces the organizing proposal of this quantity, diasporic hybridity, the essays pass directly to discover migration, Asian-Australian subjectivity, cross-cultural romance, Islamic-Australian identification and “wogsploitation” comedy. an invaluable reference resource for students of movie, migration, cultural, and Australian stories, Diasporas of Australian Cinema additionally incorporates a accomplished filmography directory Australian gains, documentaries and shorts with major diasporic content material.
Read Online or Download Diasporas of Australian Cinema PDF
Best film & television books
Taking account of the most important advancements within the box of superstar stories, this publication explores the political economic climate of stardom, questions of functionality, the impact on stardom of convergence among the movie and different rest industries, and the position of audiences. The publication combines a evaluation of present developments with case reports of person stars permitting scholars and researchers to widen their wisdom of the sector and discover new methods of drawing close the big name phenomenon.
Mostly remembered for her gestures, expressive eyes, and physique language at the reveal, ZaSu Pitts was once an strange actress (and additionally a superb prepare dinner: she frequently gave selfmade goodies to her coworkers, and her selection of sweet recipes was once released posthumously). This affectionate examine of either her deepest existence off-screen and her public character information how the multi-talented actress turn into one among filmdom's favourite comediennes and personality gamers.
Whereas movie and video has lengthy been used inside mental perform, researchers and practitioners have in simple terms simply began to discover some great benefits of movie and video construction as remedy. This quantity describes a burgeoning region of psychotherapy which employs the paintings of filmmaking and electronic storytelling as a method of therapeutic sufferers of trauma and abuse.
- The Quiz Show (TV Genres)
- British Novelists in Hollywood, 1935–1965: Travelers, Exiles, and Expats
- Digital Terrestrial Television in Europe
- Stage-Bound: Feature Film Adaptations of Canadian and Québécois Drama
- The Horror Reader
Additional resources for Diasporas of Australian Cinema
Emanating predominantly from the disciplines of social work, social planning, public health and criminology, the problem ethnic gambler is constructed as a migrant from Chinese, Vietnamese and Arabic backgrounds whose propensity to gamble is a consequence of the immigrant experiences of readjustment, unemployment, under-employment and low self-esteem (Driscoll 1996; Brown et al. 1998; Hallebone 1999; Marshall and Baker 2001). Some studies even take a culturalist perspective to associate immigrant gambling with homeland traditions such as superstition, spirituality and luck (Yamine and Thomas 2000; Nattaporn, Jackson and Thomas 2004).
Do they inherit the legacy of dispossession and the same conquistadorial perspective on land(scape) to which Ross Gibson (1993) has alluded? The fact that these characters react in the same way that countless non-Indigenous Australians have before indicates the prevailing dominance of this perspective. The director reinforces this: ‘It’s the story of Burke and Wills updated to reflect immigration patterns of recent years. ’ (McFarlane 2007: 26) At the same time, the presence of a key Indigenous characters points to further cultural and critical possibilities, as Stephen Muecke (1997) indicates in No Road, that come from seeing and understanding the country/land differently, particularly in relationship to Aboriginal sovereignty over the land, meaning that non-Indigenous people (and some Indigenous people, if this film is anything to go by) might have to ‘leave the bitumen, to leave the roads and finally to get lost and maybe to find a way again’ (Muecke 1997: 133) Conclusion It is precisely our encounters at the border – where self and other, the local and the global, Asian and Western meet – that make us realize how riven with potential miscommunication and intercultural conflict these encounters can be (Ang 2003: 149).
However, unlike the films examined by Hamid Naficy and Laura Marks, which for the most part are located within the rubric of experimental and artisanal mode of fiction film-making, Smaill points out that these local films adhere to the established conventions and codes of the TV documentary. Hamid Naficy’s and Laura Marks’ theories of ‘accented cinema’ and ‘intercultural cinema’ respectively complement one another by broadly arguing that diasporic film-makers conform to/seek out a particular set of formal and stylistic tendencies that enable them to be spoken about together (such as their artisanal and experimental production mode, their emphasis on journeying, their multilinguality, their haptic visuality and their use of ‘accented’ speech tinkering at the borders | 33 and epistolatory).