By Harry L. Harkins
A step by step evaluation of 9 game-tested shuffle offenses.
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Extra resources for Shuffle Offenses for Men's and Women's Basketball (Art & Science of Coaching)
Example text
In this case, (5) breaks to the high post and (2) keys the lob play (see Diagrams 7-14 and 7-15). Diagram 7-14: Lob cut Diagram 7-15: High cut The Post Play When the team's post (5) is superior to the defender, the post play may be called. (1) does this by dribbling into the front court and using a key such as holding the non-dribbling hand up with a closed fist. (1) then passes to the wing on the farside from (5). (1) cuts down the lane and exits on (5)'s side. This tells (4) to screen away for (5).
At the same time, the offside wing (3) makes a change of direction and cuts over(5). (1) then comes down and screens for (5), who cuts to the point. If (2) cannot pass to (3), he/she passes to (5) at the point (see Diagram 5-2). Diagram 5-1: Entry and high shuffleunder and over Diagram 5-2: Reversal Page 48 (5) passes to (4), and the pattern is repeated (see Diagrams 5-3 and 5-4). If (2) is a strong post up player, (4) should take more time in the attempt to get the ball inside. Diagram 5-3: Entryunder and over Diagram 5-4: Third cut Pattern Variations Variation #1: The Corner Play During the running of the shuffle, the ballside post (4) in Diagram 5-5) usually clears to the off-side wing on a point-to-wing entry pass.
1) rolls to the basket for a possible lob pass, and (5) cuts back to the point. If (1) is not open, (2) passes to (5) at the point, who reverses the ball to (1) cutting to the wing. The shuffle pattern is then in motion (see Diagram 6-27). " If the post is strong, he/she can be kept in the post by having the first shuffle cutters go to the side of the wall opposite the post. If lacking skills, the post can, at times, become part of the shuffle perimeter by allowing the first cutter to cut to either side of the wall.