By David Dowling (eds.)
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She was angry with her favourites if their conduct or conversation fell below her ideal ... I fancied an austere little Joan of Arc marching in upon us, and rebuking our easy lives, our easy morals ... How well I remember the delight, and wonder, and pleasure with which I read Jane Eyre, sent to me by an author whose name and sex were then alike unknown to me; the strange fascinations of the book; and how with my own work pressing upon me, I could not, having taken the volumes up, lay them down until they were read through!
Re is not enough of Leonora herself. The pedestal is, as it were, too large for the statue. And that's about the only objection that can be made to the book as a work ... you must not imagine that I am trying to pick holes; I am too much fascinated by your expression, by the ease of your realisation, the force and the delicacy of your phrases. ) you sent me Leonora, its great fundamental quality of absolutely genuine expression has been with me an unshakable conviction. 5 Conrad [Of Nostromo] It is indeed a rare happiness for a craftsman to evoke such a response in a creative temperament so richly gifted and of a sincerity so absolutely above suspicion as all your work proclaims you to be .
In Defoe, obviously, the star of poetry is conspicuous, as the saying goes, by its absence, even though his is an admirably lucid, wholly unaffected style which, in certain pages of Rob£nson Crusoe and Duncan Campbell, is quite suddenly irradiated with a brief, gentle splendour. That is why his H£story of the Devz"l seemed to some readers positively nauseating. . This attitude in the presence of the supernatural, which follows his literary principles as a logical corollary, is the attitude of a sensible barbarian.