By Richard Fardon
Tiger in an African palace collects 8 essays approximately kinship and belonging that Richard Fardon wrote to counterpoint his monographs on West Africa. The essays expand these book-length descriptions by means of pursuing their wider implications for concept in social anthropology: exploring the connection among comparability and old reconstruction, and wondering the healthy among own, ethnic and cosmopolitan identities in modern West African countries. In an creation written especially for this Langaa assortment, Richard Fardon retraces the career-long improvement of his preoccupation with strategies of id and transformation, and their relevance to realizing West African societies relatively and traditionally.
Read Online or Download Tiger in an african palace, and other thoughts about identification and transformation PDF
Best african books
Anti-Apartheid and the Emergence of a Global Civil Society (St. Antony's)
This booklet appears to be like at anti-apartheid as a part of the historical past of current worldwide politics. It offers the 1st comparative research of alternative sections of the transnational anti-apartheid stream. the writer emphasizes the significance of a ancient standpoint on political cultures, social activities, and international civil society.
Public Opinion, Democracy, and Market Reform in Africa
In accordance with the Afrobarometer, a survey examine undertaking, this exam of public opinion in sub-Saharan Africa unearths what traditional Africans take into consideration democracy and marketplace reforms, topics on which nearly not anything is another way identified. The authors show that common help for democracy in Africa is shallow and that Africans accordingly suppose trapped among kingdom and industry.
No Refuge: The Crisis of Refugee Militarization in Africa
The militarization of refugees and internally displaced individuals (IDPs), specifically in Africa, is inflicting turning out to be alarm in the humanitarian and improvement groups. The deliberate and spontaneous arming of refugees and IDPs threatens entry to asylum in addition to security. yet whereas the coverage debates rage over the right way to take care of armed refugees and the way to avoid their spill-over into neighbouring nations, unusually little learn has been performed to provide an explanation for why displaced humans arm themselves or how militarization impacts the neighborhood and host populations.
Into the Cannibal's Pot: Lessons for America from Post-Apartheid South Africa
Into the Cannibal's Pot: classes for the United States from post-Apartheid South Africa is a polemical paintings anchored in heritage, truth, truth, and the political philosophy of classical liberalism. it's a manifesto opposed to mass society, arguing opposed to uncooked, ripe, democracy, right here (in the US), there (in South Africa), and in all places.
- Poor Place, Thriving People: How the Middle East and North Africa Can Rise Above Spatial Disparities
- Democracy and Development in Africa
- Taxation, Responsiveness and Accountability in Sub-Saharan Africa: The Dynamics of Tax Bargaining
- The Iron Cage of Liberalism: International Politics and Unarmed Revolutions in the Middle East and North Africa
- Transcultural English studies: theories, fictions, realities
Additional info for Tiger in an african palace, and other thoughts about identification and transformation
Sample text
DWVLQD$OD7KH\DUHSULPDULO\IDUPHUVJURZLQJVWDSOHFURSVRI \DPV PLOOHW DQG VRUJKXP DXJPHQWHG E\ FDVVDYD LQ VRPH DUHDV VHH %RKDQQDQ/DQG37KH%RKDQQDQV·ÀHOGZRUNIRXQG DERXWDTXDUWHURI 7LYODQGEXWQRW7LYSRSXODWLRQWRWKHQRUWKRI WKH Sisters, wives, wards and daughters | 23 %HQXH3ULRUWR%ULWLVKUXOH7LYZHUHH[SDQGLQJDWDUDWHRI IRXUWRÀYH PLOHVSHUJHQHUDWLRQDJDLQVWWKH8GDPSHRSOHWRWKHVRXWKZKHUHWKH SUHVVXUHRQODQGZDVKLJKDQGHYHQIDVWHULQWKHQRUWKDQGHDVWZKHUH SRSXODWLRQ GHQVLW\ ZDV ORZ DQG WKHUH ZDV OLWWOH RSSRVLWLRQ WR LPSHGH SURJUHVV%RKDQQDQ/DQG3 7LY OHJHQGV FODLP WKDW WKH\ RFFXSLHG WKHLU SUHVHQW WHUULWRULHV IURP WKHVRXWKHDVWZKHUHWKH\ZHUHIDUIHZHULQQXPEHUDQGOLYHGDVKLOO GZHOOHUV%RKDQQDQ3DQG$NLJD6DL7RWKHVRXWKRI WKH 7LY DUH IRXQG D QXPEHU RI VPDOO ¶VHPL%DQWX·VSHDNLQJ WULEHV FDOOHG 8GDPE\WKH7LY/DXUD%RKDQQDQQRWHVWKDWWKH7LYDQG8GDPVKDUH ¶OLQJXLVWLF DQG FXOWXUDO WUDLWV· ZLWK WKH ¶&DPHURRQV %DQWX· WULEHV DQG VSHFLÀFDOO\PHQWLRQVPDUULDJHE\H[FKDQJHRI ZRPHQDPRQJVWWKHVH VLPLODULWLHV%RKDQQDQ/7KHGDWLQJRI WKH7LYH[SDQVLRQ LVQRWDOWRJHWKHUFOHDU$QDWWDFNRQWKH7LYE\WKH&KDPEDLQWKHHDUO\ GHFDGHV RI WKH QLQHWHHQWK FHQWXU\ GRHV QRW DSSHDU LQ WKH WUDGLWLRQV RI WKH,KDUHYDQG0DVHYVHJPHQWVRI WKH7LYIURPZKLFK'RUZDUG UHDVRQV WKDW WKH H[SDQVLRQ QRUWK ZDV DOUHDG\ XQGHUZD\ E\ WKLV WLPH 'RUZDUG 7LYUHODWLRQVZLWKWKHSHRSOHWKH\QHLJKERXUHG²WKH,GRPD-XNXQ DQG&KDPEDDVZHOODVWKH8GDP²VHHPWRKDYHÁXFWXDWHGEHWZHHQ KRVWLOLW\DQGFRH[LVWHQFHFXOWXUDOERUURZLQJVIURPWKHVHSHRSOHVDSSHDU WRKDYHEHHQVOLJKWDQGQRWWRKDYHDIIHFWHGWKHFRUHRI 7LYLQVWLWXWLRQV 'HVSLWHVXEVWDQWLDOGHPRJUDSKLFDQGHFRORJLFDOYDULDWLRQVLWLVSRVVLEOH WRWDONDERXWWKHPDLQWKHPHVRI FXOWXUHDQGVRFLDORUJDQL]DWLRQLQSDQ 7LYWHUPVDVORQJDVLWLVUHFRJQL]HGWKDWVRPHYDULDWLRQRQWKHVHWKHPHV RFFXUVLQGLIIHUHQWDUHDV The segmentary lineage model of the Tiv 7KHPRGHORI RUJDQL]DWLRQZKLFKWKH%RKDQQDQVKDYHSURSRVHGSUH VHQWVDSDQ7LYVRFLDOVWUXFWXUHEDVHGRQWKHFRQFHSWVRI GHVFHQWUHF RJQL]HGLQ7LYFXOWXUHDURXQGZKLFKPXFKRI WKH7LYFDWHJRUL]DWLRQRI VRFLDOVSDFHKDVEHHQFRQVWUXFWHG $OO 7LY EHOLHYH WKHPVHOYHV WR EH GHVFHQGHG IURP DQ HSRQ\PRXV DQFHVWRU ORFDWHG VRPH IRXUWHHQ WR VHYHQWHHQ JHQHUDWLRQV EDFN LQ WKHLU JHQHDORJLHV /HJHQGV RI RULJLQ DQG WKH FXOWXUDO DQG OLQJXLVWLF 7KHSHRSOHVFDOOHGUdam E\WKH7LYZRXOGQRZDGD\VLGHQWLI\WKHPVHOYHVDV2JRMDQ D ODEHO ZLWK D JHRJUDSKLFDO UDWKHU WKDQ D FXOWXUDO RU OLQJXLVWLF VLJQLÀFDQFH $GULDQ (GZDUGVSHUVRQDOFRPPXQLFDWLRQ 24 | Tiger in an African Palace KRPRJHQHLW\RI WKH7LYWHQGWRDGGFUHGHQFHWRVXFKDYLHZLQEURDG WHUPV 7KH PDMRULW\ RI 7LY JURXSV IRU ZKDWHYHU SXUSRVH WKH\ DUH IRUPHGDUHGHÀQHGLQWKHLGLRPRI FRPPRQGHVFHQW7KUHHGLVWLQFW IRUPVRI JURXSLQJDUHGLVWLQJXLVKHGE\WKHLUGLIIHUHQWDSSHDOVWRWKH 7LYJHQHDORJLFDOFKDUWHU 7KHÀUVWJURXSWRFRQVLGHULVWKHnongo,OLWHUDOO\¶OLQH·RU¶TXHXH·ZKLFK ¶PD\EHXVHGWRHQTXLUHDIWHURUGHVFULEHWKHFRPSRQHQWVHJPHQWVRI DQ\ OLQHDJH·7KHVSDQRI WKH¶OLQH·WRZKLFKnongoUHIHUVFDQEHGHWHUPLQHG RQO\FRQWH[WXDOO\WKHFRQFHSWPDQLIHVWVWKHTXDOLW\RI WRWDOUHODWLYLW\RI WKHFODVVLFVHJPHQWDU\OLQHDJHPRGHO7KHnongoFRQFHSWLVFUXFLDOWRWKH %RKDQQDQV·PRGHOD7LYGHVFULEHVWKHnongoUHOHYDQWLQDVSHFLÀFFRQWH[W E\FLWLQJWKHQDPHRI DSURPLQHQWPDQRI WKHJURXSLQJLQYROYHGNongo UHIHUVWRVSDQUDWKHUWKDQGHSWKWROLYLQJPHPEHUVRI WKHJURXSUDWKHU WKDQWRWKHDQFHVWRUZKRGHÀQHVWKHVHJPHQWLQRSSRVLWLRQWRDVLPLODU VHJPHQWFRQVLVWLQJRI WKHGHVFHQGDQWVRI KLVEURWKHU7KLVGHVLJQDWLRQ OHQGVWKHnongoUHIHUHQWDQDPELJXLW\ZLWKUHVSHFWWRWKHGHVFHQWJURXS LQJVGHÀQHGDQFHVWUDOO\DQGWKHSROLWLFDOJURXSLQJVGHÀQHGWHUULWRULDOO\ $V/DXUD%RKDQQDQH[SODLQVWKLVDPELJXLW\¶JLYHVDQLGLRPDWLF DSSHDUDQFHRI XQLW\WRWKHOLQHDJHDQGSROLWLFRWHUULWRULDOVHJPHQWV·DQG LV¶HVVHQWLDOWRWKHVWUHQJWKRI 7LYSROLWLFDOOR\DOWLHV· 7KHDJQDWHVVLJQLÀFDQWIRUDSDUWLFXODUSHUVRQDUHFDOOHGKLVityô.
7KHWDVNRI WKHVHJURXSVHVSHFLDOO\ WKHÀUVWZDVWRDVVLVWWKHLQGLYLGXDOWRZLWKVWDQGWKHVXSHUQDWXUDODW WDFNV ZKLFK KLV DWWHPSWV WR DFKLHYH SUHVWLJH DPRQJ KLV SDWULNLQVPHQ PLJKWSURYRNH 6LQFH WKUHH UHODWLRQVKLSV ZHUH HVVHQWLDO WR WKH PD[LPL]DWLRQ RI OLIH FKDQFHVLWLVDSSDUHQWWKDWLQ7LYVRFLHW\DOWKRXJKLWKDVEHHQGXEEHG 40 | Tiger in an African Palace HJDOLWDULDQPHQZHUHQRWUHDOO\ERUQHTXDO$WRQHH[WUHPHZDVWKHVWD WXVRI GRPHVWLFVODYHDFTXLUHGIROORZLQJHLWKHUWKHVDOHRI WKHLQGLYLGXDO DVDQXQGHVLUDEOHE\KLVDJQDWLFNLQRUWKHFDSWXUHRI SULVRQHUVLQZDU DJDLQVWDIRUHLJQWULEH6XFKLQGLYLGXDOVKDGQRityô,DQGLQDELOLW\WRWDNH SDUWLQH[FKDQJHPDUULDJHPDGHWKHVWDWXVKHULWDEOHWKURXJKERWKSDU HQWV%RKDQQDQ/DQG36OLJKWO\EHWWHUSODFHGZHUHWKRVH SHRSOHZKRZHUHDIÀOLDWHGWRDQityôEXWODFNHGWKHVXSSRUWRI DQigba or igba terWRPDNHJRRGWKHLUFODLPVZLWKLQWKDWJURXS6XFKDVWDWXVPLJKW UHVXOW IURP IDLOXUH RI WKH PDUULDJHV RI ERWK WKH IDWKHU DQG SDWHUQDO JUDQGIDWKHUWRFRQIRUPWRWKHLGHDORI FRPSOHWHGH[FKDQJHPDUULDJH /RJLFDOO\WKHQH[WLPSURYHPHQWLQVWDWXVIHOOWRWKRVHLQGLYLGXDOVZKRVH IDWKHU·VPDUULDJHGLGQRWIRUVRPHUHDVRQJLYHWKHPWKHVXSSRUWRI DQ igba,EXWZKRVHJUDQGIDWKHU·VPDUULDJHFRPSHQVDWHGIRUWKLVGLVDELOLW\E\ GHÀQLQJDUHODWLRQWRDQigba ter)0·Vityô).
7KHWDVNRI WKHVHJURXSVHVSHFLDOO\ WKHÀUVWZDVWRDVVLVWWKHLQGLYLGXDOWRZLWKVWDQGWKHVXSHUQDWXUDODW WDFNV ZKLFK KLV DWWHPSWV WR DFKLHYH SUHVWLJH DPRQJ KLV SDWULNLQVPHQ PLJKWSURYRNH 6LQFH WKUHH UHODWLRQVKLSV ZHUH HVVHQWLDO WR WKH PD[LPL]DWLRQ RI OLIH FKDQFHVLWLVDSSDUHQWWKDWLQ7LYVRFLHW\DOWKRXJKLWKDVEHHQGXEEHG 40 | Tiger in an African Palace HJDOLWDULDQPHQZHUHQRWUHDOO\ERUQHTXDO$WRQHH[WUHPHZDVWKHVWD WXVRI GRPHVWLFVODYHDFTXLUHGIROORZLQJHLWKHUWKHVDOHRI WKHLQGLYLGXDO DVDQXQGHVLUDEOHE\KLVDJQDWLFNLQRUWKHFDSWXUHRI SULVRQHUVLQZDU DJDLQVWDIRUHLJQWULEH6XFKLQGLYLGXDOVKDGQRityô,DQGLQDELOLW\WRWDNH SDUWLQH[FKDQJHPDUULDJHPDGHWKHVWDWXVKHULWDEOHWKURXJKERWKSDU HQWV%RKDQQDQ/DQG36OLJKWO\EHWWHUSODFHGZHUHWKRVH SHRSOHZKRZHUHDIÀOLDWHGWRDQityôEXWODFNHGWKHVXSSRUWRI DQigba or igba terWRPDNHJRRGWKHLUFODLPVZLWKLQWKDWJURXS6XFKDVWDWXVPLJKW UHVXOW IURP IDLOXUH RI WKH PDUULDJHV RI ERWK WKH IDWKHU DQG SDWHUQDO JUDQGIDWKHUWRFRQIRUPWRWKHLGHDORI FRPSOHWHGH[FKDQJHPDUULDJH /RJLFDOO\WKHQH[WLPSURYHPHQWLQVWDWXVIHOOWRWKRVHLQGLYLGXDOVZKRVH IDWKHU·VPDUULDJHGLGQRWIRUVRPHUHDVRQJLYHWKHPWKHVXSSRUWRI DQ igba,EXWZKRVHJUDQGIDWKHU·VPDUULDJHFRPSHQVDWHGIRUWKLVGLVDELOLW\E\ GHÀQLQJDUHODWLRQWRDQigba ter)0·Vityô).