By Aaron Delwiche

How did we get from Hollywood to YouTube? What makes Wikipedia so diversified from a conventional encyclopedia? Has blogging dismantled journalism as we all know it?

Our media panorama has passed through a seismic shift as electronic know-how has fostered the increase of "participatory culture," within which wisdom is originated, created, dispensed, and evaluated in greatly new methods. The Participatory Cultures Handbook is an critical, interdisciplinary guide to this quickly altering terrain. With brief, obtainable essays from major geographers, political scientists, conversation theorists, online game designers, activists, coverage makers, physicists, and poets, this volume will introduce scholars to the idea that of participatory tradition, clarify how researchers process participatory tradition reports, and supply unique examples of participatory tradition in motion. issues contain crowdsourcing, trouble mapping, grid computing, electronic activism in authoritarian nations, collaborative poetry, collective intelligence, participatory budgeting, and the connection among games and civic engagement.

Contributors comprise: Daren Brabham, Helen Burgess, Clay Calvert, Mia Consalvo, Kelly Czarnecki, David M. Faris, Dieter Fuchs, Owen Gallagher, Clive Goodinson, Alexander Halvais, Cynthia Hawkins, John Heaven, The Jannissary Collective, Henry Jenkins, Barry Joseph, Christopher Kelty, Pierre Lévy, Sophia B. Liu, Rolf Luehrs, Patrick Meier, Jason Mittell, Sarah Pearce, W. James Potter, Howard Rheingold, Suzanne Scott, Benjamin Stokes, Thomas Swiss, Paul Taylor, Will Venters, Jen Ziemke

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Marwick, Arthur. 1998. The sixties: Cultural revolution in Britain, France, Italy, and the United States, c. 1974. Oxford: Oxford University Press. Midpeninsula Free University. 1967. Midpeninsula Free University Course Catalog, fall. Mills, C. Wright. 1958. The causes of World War Three. London: Secker & Warburg. Mittell, Jason. 2003. “Audiences talking genre: Television talk shows and cultural hierarchies,” Journal of Popular Film and Television, 31(1): 36–46. Pardun, Robert. 2001. Prairie radical: A journey through the sixties.

Duncombe, Stephen. 1997. Notes from underground: Zines and the politics of alternative culture. London: Verso. Enzensberger, Hans Magnus. 1970. “Constituents of a theory of media,” New Left Review, I(64): 13–36. Gray, Jonathan, 2010. Show sold separately: Promos, spoilers and other media paratexts. New York: New York University Press. Hayden, Tom. 1977. ” Time, August 15. Henretta, James, Brody, David, and Dumenil, Lynn. 2006. America: A concise history. Boston, MA: Bedford/ St. Martin’s. Hoffman, Abbie.

Marwick, Arthur. 1998. The sixties: Cultural revolution in Britain, France, Italy, and the United States, c. 1974. Oxford: Oxford University Press. Midpeninsula Free University. 1967. Midpeninsula Free University Course Catalog, fall. Mills, C. Wright. 1958. The causes of World War Three. London: Secker & Warburg. Mittell, Jason. 2003. “Audiences talking genre: Television talk shows and cultural hierarchies,” Journal of Popular Film and Television, 31(1): 36–46. Pardun, Robert. 2001. Prairie radical: A journey through the sixties.

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