By George Ogola
The booklet examines well known fiction columns, a dominant characteristic in Kenyan newspapers, released within the 20th century and examines their historic and cultural influence on Kenyan politics. The publication interrogates how well known cultural types akin to renowned fiction have interaction with and topic the polity to consistent critique via casual yet widely known cultural varieties of censure. The ebook extra explores the methods we see and event how the African subaltern, throughout the daily, negotiate their rights and duties with the self, society and the nation. via those columns and their writers, the e-book examines the tensions that signify such relationships, how the formal and casual interpenetrate, how the previous and current are reconciled, and the way the neighborhood and transnational collide but in addition collude within the making of the Kenyan identity.
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Additional resources for Popular Media in Kenyan History: Fiction and Newspapers as Political Actors
Sample text
We further acknowledge the analytical potential of Young and Turner’s (2013) ideas of ‘existence’ in the African postcolony, a position shared by Michael Schatzberg especially in his discussion of political culture and social dynamics in Zaire, now the Democratic Republic of Congo (DRC). Young and Turner classify the African postcolony into ‘zones of existence’ (politico-commercial class) and zones of ‘non-existence’ (the lower classes). The relationship between these two zones is not necessarily that pitting oppressor against the oppressed.
This book thus adopts especially Mbembe’s approach to the study of the performance of power in the postcolony but with certain provisos. Mbembe’s framework is only useful insofar as it provides an entry into examining what Karlstrom (2003, 64) describes as the ‘official–popular interface as a dialogical process of reciprocal influence in the context of a (partially) shared cosmology of power’. Our discussion also involves a discussion of the techniques which Bayart (1993, 254) has described as the ‘techniques of evasion and pretence’.
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