By Patrick Millikin

"Patrick Millikin...as if to turn out his witty declare that 'sunshine is the recent noir,' bargains one terrific specimen, 'Whiteout on Van Buren,' during which [author] Don Winslow makes skillful use of a urban road at excessive midday to supply the appropriate metaphor for all times and death."—New York occasions booklet Review

Brand-new tales by way of: Diana Gabaldon, Lee baby, James Sallis, Luis Alberto Urrea, Jon Talton, Megan Abbott, Charles Kelly, Robert Anglen, Patrick Millikin, Laura Tohe, Kurt Reichenbaugh, Gary Phillips, David Corbett, Don Winslow, Dogo Barry Graham, and Stella Pope Duarte.

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Example text

When he saw me he got up and took a Sig Sauer pistol from the table, stuffing it into his waistband, the grip hanging over the lip of his drawstring pants. We shook hands and he walked me over to my bike. He straddled it, started it up, and rode the throttle in neutral. He yelled over the engine, “That Spectre pistol Core's selling you? ” “Mommy. That's too much for a pistol, Bird. It was me I'd charge you three hundy” “That's cool of you, dude, but he ain't budging. ” I stuck my chin at the bike.

Or get shot here and let my partners waste him? Or hope one of them gets a clean line on him right this second? Or lie down and try to stay out of the way of everyone's bullets that were sure to puncture the Monte Carlo any second? Or, or, or … drop the keys? Yes, drop the keys. If I was going to die, then he was going to die too. I pulled the keys out of the ignition and let them fall into the footwell. ” “Motherfucker—” I leaned forward and Provestgaard did too. Mellor, who was closest to the passenger's side of the car, stuck his revolver in the rear window gap and emptied it.

Shoot, in that year, 1987, he probably even had his own computer. It didn't appeal to me. The bullet put the rush of the streets in me and through me. It guaranteed I'd never direct anything but myself, and convinced me that large desks were for castrated dummies. I thought, Fuck that, I'm gonna be an undercover. ” AUGUST 2001—JANUARY 2002 IF ANYTHING, THE shooting proved that my job, and therefore my life, was not glamorous in any way. Pathetically, I'd imagined that undercover life would be like Miami Vice—full of cigarette boats, fast cars, expensive clothes, and perfect tens in bikinis sitting in my lap while I negotiated with drug kingpins.

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