By Barbara Walker
Barbara Walker examines the Russian literary circle, a characteristic of Russian highbrow and cultural existence from tsarist occasions into the early Soviet interval, during the existence tale of 1 of its liveliest and such a lot loved figures, the poet Maximilian Voloshin (1877–1932). From 1911 until eventually his demise, Voloshin led a circle within the Crimean village of Koktebel’ that was once a haven for such literary luminaries as Marina Tsvetaeva, Nikolai Gumilev, and Osip Mandelstam. Drawing upon the anthropological theories of Victor Turner, Walker depicts the literary circle of overdue Imperial Russia as a contradictory mixture of idealism and "communitas," at the one hand, and conventional Russian styles of patronage and networking, at the different. whereas detailing the colourful heritage of Voloshinov’s circle within the pre- and postrevolutionary many years, the publication demonstrates that the literary circle and its leaders performed a key function in integrating the intelligentsia into the rising ethos of the Soviet country.
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Extra resources for Maximilian Voloshin and the Russian Literary Circle: Culture and Survival in Revolutionary Times
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Faith in the very existence of Imperial Russia as a unified body politic was eroding well before the internal convulsions brought on by World War I ultimately destroyed it. 22 | maximilian voloshin and the russian literary circle The memoir discourse described above reflected a yearning among the literary community for an answer to the problems of disharmony and disintegration through a kind of leadership that was inspired and pragmatic, sensitive and effective. But as the events in the years following 1917 would demonstrate, this longing for harmony was in many ways treacherous.
20 Tutoring was a common means of financial support at this time among the less wealthy of Russia’s ambitious students. Writing to his mother in November 1897 as a new university student in Moscow, where he was lodging with his grandmother, he announced: “I got your letter and money today. ”21 Presumably Babushka, though unauthorized, had let his mother know about financial strains that he would have preferred to keep to himself. Max had paid his rent to Babushka up to the end of November by taking out a temporary loan, he continued in his letter, which would have to be repaid in full by January.
Philosopher Vladimir Solovev and artist Konstantin Korovin of the Moscow School and future World of Art were also known to appear at the Dosekins’ home. The opportunity to witness and perhaps take part in the lively discourse in Dosekin’s circle had a considerable impact on Voloshin. ”11 This glimpse of an intellectual milieu above and beyond the “middle circles” of his earlier childhood was his first encounter with what many Russians of the time described as the “cultural intelligentsia”: those among the tiny educated elite of Russia who sought energetically to shape Russian identity and discourse through art, literature, music, theater, and philosophy.