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Douglas Smith (Oxford: Oxford University Press World’s Classics, 1996), 39. 2 The Reality of Fictive Cinematic Characters Trevor Ponech This paper is about the metaphysics of fiction. It outlines a case for the existence of “fictional characters,” more precisely, fictive characters encountered in narrative fictions. In doing so, it tries to secure a niche for such entities within the familiar world of material objects, artefacts, and properties. Thus I advocate realism about fictive characters.
41 For Nietzsche, this is the only possible way to treat others—even enemies—with genuine respect. “If I am not for myself” is not only about the possibility of an ethics, however. There is a tragic sense to Hillel’s aphorism. It means that no one else can be expected to act on my behalf. Personhood, the responsible self, is singularity and aloneness. ” Emmanuel Levinas wants to say something more about solitude than simply describing it as unhappiness. ”42 The singular self, the individual, is hard to find not because it is hidden away “deep inside” but because its existence presupposes diaspora, banishment, or possibly shipwreck.
So things don’t fall through the floor; towers can be made of blocks, but not sour cream. The task involves learning, discovery, and problem solving. And it is a potential that exists in all children, independent of their historical context. But this is not a question about why something is possible, it is rather about how something is done. Unlike the case of bicycle riding, the answer seems obvious: put one block on top of another; what’s the problem? ”23 This is what he calls “the amnesia of infancy: .