By Janelle G. Reinelt, Joseph Roach

Critical conception and Performance offers a wide diversity of severe and theoretical tools and applies them to modern and ancient functionality genres—from level performs, dance-dramas, functionality paintings, cabaret, stand-up comedy, and jazz to circus, highway theater, and shamanistic ritual. because the first entire advent to severe theory’s wealthy and various contributions to the research of drama, theater, and function, the booklet has been hugely influential for greater than a decade in offering fertile flooring for tutorial investigations within the energetic box of functionality studies.

 

This up-to-date and improved version offers nineteen new essays by means of the field’s major students and practitioners in addition to new severe introductions by means of editors Janelle G. Reinelt and Joseph R. Roach. Reflecting fresh traits in functionality experiences, this revised variation now contains discussions of severe race conception, postcolonial reviews, gender and sexualities, and mediatized cultures. The ensuing quantity is a different and critical software for critics, lecturers, and scholars that paves the way in which for destiny scholarship.

 

Janelle G. Reinelt is Professor of Theatre and function on the college of Warwick. Reinelt and Roach

 

Joseph R. Roach is Charles C. and Dorathea S. Dilley Professor of Theater and English at Yale University.

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Critical Theory and Performance: Revised and Enlarged Edition (Theater: Theory Text Performance)

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Extra resources for Critical Theory and Performance: Revised and Enlarged Edition (Theater: Theory Text Performance)

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Umberto Eco, A Theory of Semiotics (Bloomington: Indiana University Press, 1979), 167. 15. Keir Elam, review of my Great Reckonings in Little Rooms, in Times Literary Supplement, March 7, 1986, 250. 16. Edmund Husserl, Ideas: General Introduction to Pure Phenomenology, trans. W. R. Boyce Gibson (London: George Allen and Unwin, 1952), 136. 17. Dufrenne, Phenomenology of Aesthetic Experience, lo. 18. Patrice Pavis, Languages of the Stage: Essays in the Semiology of Theatre (New York: Performing Arts Journal Publications, 1983), 56.

36 A leading American work of perfor- mance theory of the 1990s, Joseph Roach's Cities of the Dead (1996), com- bines a study of cultural contact with one of cultural memory as encoded in performative practice. The convergence between performance studies and the growing international interest in cultural studies emphasized the importance of performance in establishing and questioning all sorts of cultural and social spaces, from those involved with the formation of individual identities, to those negotiating sites of ethnic, national, and intercultural contact.

To close the circle, criticism derived from the phenomenological attitude is highly mimetic in its meth- odology. That is, owing to the nature of its project, phenomenological crit- icism-like phenomenology itself-tends to rely strongly on some varia- tion of figural description, or "proof" by metaphor. On this account it is probably the most personal form of critical commentary and hence is a useful counterbalance to the increasingly impersonal methodology in so much of today's criticism. I am not implying that we should all run out and buy a pair of philosopher's brackets; but if one were looking for an alternative to the radical skepticism of deconstruction and postmodernism-its "uninhibited questioning of everything," as Eugene Goodheart puts it3-one can find it most readily in the phenomenological attitude that uninhibitedly accepts everything it sees.

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