By Jonathan L. Ready
Jonathan L. prepared bargains the 1st complete exam of Homer's similes within the Iliad as arenas of heroic pageant. This learn concentrates totally on similes spoken by way of Homeric characters. the 1st to provide a sustained exploration of such similes, prepared exhibits how characters are made to contest via and over simile not just with each other but additionally with the narrator. prepared investigates the narrator's similes besides. He demonstrates that Homer amplifies the feat of a profitable warrior through supplying a aggressive orientation to sequences of similes used to explain conflict. He additionally deals a brand new interpretation of Homer's prolonged similes as a method for the poet to visualize his characters as rivals for his realization. all through this learn, prepared makes leading edge use of ways from either Homeric stories and narratology that experience now not but been utilized to the research of Homer's similes.
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Additional info for Character, Narrator, and Simile in the Iliad
99) into the sky. 55 Although in its only other appearance as a vehicle in a simile smoke describes the immateriality of Patroklos’ psukhê (Il. 100),56 it is a suitable vehicle to describe anger in its capacity to grow gradually. Achilleus’ simile vehicle helps him describe his understanding of the emotion that brought him to this point. ), who points to the verb’s use in the same fashion in the Homeric Hymns. Porphyry contends that the poet understood anger (orgê, which he uses as a synonym for kholos) “not only as a swelling up (eparsin) and a desire but also as a seething.
On the value of “calculated deviation from the everyday” for Aristotle, see Cole 1991: 13–14. 10 Aristotle’s observation of the relative rarity of metaphor and simile in day-today conversation brings to mind Bauman’s discussion of figurative language as one “key to performance” (1977). Along with six other keys, such as parallelism and special formulae, figurative language can signal a shift to a performance register (1977: esp. 17–18; see also Foley 1995: 85). It is figurative language’s relative absence from other registers that both allows it to contribute to marking off an arena in which a performance of verbal art occurs and explains why it is one of the elements found in a performance in that arena.
10 Aristotle’s observation of the relative rarity of metaphor and simile in day-today conversation brings to mind Bauman’s discussion of figurative language as one “key to performance” (1977). Along with six other keys, such as parallelism and special formulae, figurative language can signal a shift to a performance register (1977: esp. 17–18; see also Foley 1995: 85). It is figurative language’s relative absence from other registers that both allows it to contribute to marking off an arena in which a performance of verbal art occurs and explains why it is one of the elements found in a performance in that arena.