By Alexandre Leupin

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Then, in conformity with the commonplace peregrinatio (a figure well k n o w n in hagiography, but also a term for rhetorical transformation), he departs f r o m Rome, passes through Alsis and Lalice, and returns to R o m e in a topographical progression toward misery and absolute deprivation. During this voyage, everything is once again articulated in terms of nomination; even the way stations of his j o u r n e y anagrammatically hint at the son's name (Alsis, Lalice) in anticipation of a finally rectified eponym.

M o r e o v e r , the text begins w i t h the name's distortion, w i t h an i m p r o p e r cut that simultaneously designates the text's a u t o n o m y in relation to its exteriority (its power) and casts the text's origin in terms o f a fissure or division. T h e name's integrity is reestablished further on in w h a t seems to be a c o m p r o m i s e p r o v i d i n g f o r both the rigors o f p r o s o d y and the p o n t i f f ' s susceptibility: Nec nomen metro, nec vult tua maxima virtus Claudi mensura.

Then, in conformity with the commonplace peregrinatio (a figure well k n o w n in hagiography, but also a term for rhetorical transformation), he departs f r o m Rome, passes through Alsis and Lalice, and returns to R o m e in a topographical progression toward misery and absolute deprivation. During this voyage, everything is once again articulated in terms of nomination; even the way stations of his j o u r n e y anagrammatically hint at the son's name (Alsis, Lalice) in anticipation of a finally rectified eponym.

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