By Charles Burkhart, William Rothstein

A landmark choice of 141 whole musical compositions and routine from the common-practice interval, Anthology for Musical research: The Common-Practice Period bargains newcomers of song thought a wealth of illustrations of chords, voice-leading thoughts, and types.

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Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it. indd 15 14/11/13 11:02 AM 16 PART ONE — Baroque Compositions Copyright 2013 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s).

Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it. indd 28 14/11/13 11:02 AM FOUR PIECES Bach 29 Polonaise Copyright 2013 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressed content does not materially affect the overall learning experience.

Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it. indd 18 14/11/13 11:02 AM DIDO’S LAMENT Purcell 19 DIDO’S LAMENT from Dido and Aeneas (1689) Text: Nahum Tate (1652–1715) Henry Purcell (1659–1695) Near the end of the most celebrated of English operas, the heroine Dido, having lost her beloved Aeneas, elects to die.

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